Results tagged “theater”

Killing Women

Killing Women (by RGP)

This is Autumn Hurlbert, Lori Prince and Lisa Brescia, the three gorgeous and talented ladies that have been taking up the creative space in my brain the last couple of weeks.  They're the stars of Kef Productions latest show, Killing Women, and I got to shoot them. 

I highly suggest that you go see this show if you find yourself in the NYC area in the next month.  Previews start tonight so hop on it. 

Yesterday I got to do the production shots and I'm pretty stoked with the outcome.  Of course, with gals like these, how could I fail? 

More on those once the other show I'm working on slows down a bit.  We're still in all day rehearsals with shows at night. In fact, I did the production shoot for Killing Women on my dinner break yesterday.  Oy!

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Emergency stop

Emergency (by RGP)
(the button that stops automation in an emergency)

Brain dead.  Long work hours.  Need sleepy.  Living in theater.  Dark room. No windows.  Send help... or coffee.  Over 'n' out.

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Me at Work

Seriously different.  I mean, every show I run is different but when I'm neck deep in a musical, everything seems so much for dramatic.  Tech is longer, there's musicians involved, people are constantly warming up whenever and wherever they feel.  It's like a nuthouse really.

That's where I am right now. In a nut house filled with music.  Last week was tech.  Now we're in the middle of previews which is basically the same amount of working hours (we have rehearsals during the day until we officially open), but a lot more sitting around on my butt... and listening to people warm up.

I wonder what's happening to my brain when a loud and sudden "OOOOOOOOooeeeeeeee OOOOOO" doesn't startle or surprise me. 


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Theater is a big part of my life, so whenever I get a chance to help a project here on A&D, I jump on it.  Double bonus, this week's Kick Starter project happens to be run by a friend of mine!

Have you ever heard of Michael McClure's "The Beard"? It caused quite a stir in San Fransisco back in the 60s.  McClure, a big name in the beat poetry scene, created this scandalous work around Jean Harlow and Billy the Kid.  After 5 performances, the actors were arrested for "lewd and dissolute conduct." 

My friend and founder of Silent Bugler Productions, Kristyn R. Smith, is bringing the work back to the stage this summer at the Deity Supperclub.  Every production needs a little helping hand and that's what this Kick Starter is for.

The $3,000 goal will help pay for licensing fees, materials, rehearsal space, etc.  As usual, you get a little something in return.

Pledge $20 and get a poster, fake beard and $5 off the ticket price.  $50 gets you a ticket and all of the above. $200 gets you into the opening night party, 2 tickets and all of the above.

There's nothing I love more than bringing a little scandal to the stage.  My professor and mentor once told me it's just important to get people riled up as it is to make them laugh or cry.  The point is to make an impact.  I think Kristyn is on the right track.

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Art meets science in theater.That alone is enough to get my attention and that's what this week's Kick Starter, (a)Symmetry Cycle, is all about.

Working in theater all these years, I know what it takes to get a production up and running. I also know what it means to be so in love with a project that it just has to work, no matter what and have helped put up plays on $100 budgets.  It's great to know there's something like Kick Starter out there now to help give us that extra boost.

So I intentionally set out to find a theater production in need of cash today and man, am I excited to share this one with you.

(a)Symmetry Cycle is the brainchild of Chicago playwright Chelsea Marcantel. As she says in her video, she loves people and that's what she writes about.  This time she's taking that love to a whole new level by involving the science of human interaction, relationships, etc. in three brand new plays: Numbfeel, Dumbspeak and Blindsight.

From the Kick Starter page: "The cycle as a whole will be an exploration of the interaction of science and free will, molecules and decisions, in human lives and relationships. A fusion of science and theatre, (a)Symmetry Cycle will follow the classic cycle structure of creation -- destruction -- rebirth as viewed through the lenses of biology, chemistry, and neuroscience, respectively."

So, lets get down to the nitty gritty.  If you pledge $25 or more, you get yourself a t-shirt or tote and a ticket to the show. $100 gets you the same, plus another ticket and a copy of the plays. $150 and you get all of the above, plus two tickets and artwork signed by the entire cast. 

And of course, as always, the most important you thing you receive is knowing you helped bring someones dream to life.  I mean, what sweeter payoff is there? 

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It's all over...

Onstage (by RGP)

To those of you who are new around here, I am a theater technician.  That's what I do to pay the bills.  Plus, it's just a really fantastic job.

That means I work backstage in theaters.  Not movie theaters, Broadway and Off-Broadway theaters. Part of my job is seeing people come and go. Shows open and close. Audiences love and hate.  Reviews break hearts and make careers.  Sets go up and get torn down.

I've been doing it for 10+ years and with time I've become very well acquainted with hellos and goodbyes.  That's just how it is. We, us theater-folk, have to be able to adapt pretty quickly. You'll never catch me shed a tear when another play closes. 

But this time was a little different. The production was incredible and everyone was so proud of the work we did.  During our final curtain call, I actually felt a pang of emotion.  Weird. 

So as I completely switch gears into a month of working on my photos, etc until the next show, I realize something else has switched.  For the last few years I've been really worn out with theater.  That's par for the course, everyone gets tired of what they do at some point.  However, coming off such a remarkable production as this one has reminded me why I started theater in the first place. 

We form miniature and temporary families all in the name of art.  We work insane hours, actors pour out their emotions, technicians make sure everything is exactly the same every night, producers push, playwrights re-write and directors suffer sleepless nights until the show is a lock.  Then suddenly, it's all over. 

Just like that. 

We're a special bunch of people, and I'm proud to be a part. 

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Powder Blue (by RGP)

Spring is here and I'm going to spend this remarkably beautiful day indoors.  And by indoors I mean inside a windowless theater with the lights out.  Y'know, because I work backstage and it's dark back there.

So do me a favor today, wouldja?  Assuming the weather is nice where you are...go out for a walk. Soak it in.  Maybe take a few photos even!  And remember there are hundreds of us stuck inside dark, windowless theaters today in NYC (and other far off lands where they have theater too).  

This has been a public service announcement for actors and technicians everywhere on this first day of spring. 

(( Truth be told, I'll probably get an hour outside between shows, so it's not all bad. ))

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It's personal...

My window to yours (by RGP)

Unfortunately I can't upload any images at the moment (doing some MT fixes server side) so I'm doomed to use one of my flickr shots and...duh duh duuuuuh...write.

Gasp!

So how about a little personal update?  I've been in tech rehearsal all week which means 12 hour (minimum) days and a lot of physical work which my body was very clearly unprepared for.  I'm a big fan of war wounds, I love to show off my scars and bruises, but in this particular case I've lost count.

Fortunately, the play is absolutely fantastic.  It's called Clybourne Park and if you find yourself in NYC this month, you really should check it out. It's uncomfortably hilarious.

In other news, I'm still on a bit of a photo hiatus.  So far I haven't made any head way on saving up for a new computer.  Silly things like rent, bills and eating keep getting in the way.  I just can't help myself!  So for now there will be very minimal uploading of new material.

I'm thinking of starting a Kick Starter project to help towards getting said equipment and a new lens.  Is that something you'd be interested in giving to?

Of course, on that note, don't forget to check out the Kick Starter of the Week.  You can pledge as low as $1 so hop to it!

And in closing, I'm really thrilled with the momentum Arts & Dafts has gained these last few weeks.  Thanks to all of you for your visits and comments.  Here's to a great 2010!

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Work Light (by RGP)

This is our work light. The life of a theater technician is a dark and quiet one.  We wear all black, walk softly, whisper and read by flashlight. What we wouldn't give for invisibility cloaks.

In my case, I'm actually kind of a troll.  I sit directly under the stage (the trap room) and run the automation.  Maybe it's more like wizard of oz...but troll is funnier and that way I can call the stagehands (like my buddy Carl) gremlins. 

Actually, maybe I prefer flying monkeys.

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Work

Top of the House (by RGP)
Empty house before the show.

Unfortunately I don't have my usual Monday off this week since we open tomorow and traditionally we take the day after opening off.  I don't have to be in until 6:30, but still...it's a bummer knowing I'll have to exchange the pajamas for some real clothes in a few hours.

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Blue (17/90) (by RGP)

No matter how many tech rehearsals I go through in my life, I will never get used to them.  None of us ever seem to. The 13 hour days spent in a windowless room with the same people...day after day after day running the same cues over and over and over.

It's exhausting...mentally exhausting. 

We all start off excited...but give it a few days.  We'll be at each others throats, desperate for some sleep and searching for our sanity. 

Which is why I am so thankful for the roof on this building.  Every 1.5 hours during our 10 minute breaks, I head straight up for some fresh air and peace.

Look at all those other people out there.  I bet they're going crazy too.

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In the Grid (By John) (by RGP)

First of all, I can't take credit for this photo.  The fella confiscated my camera for a couple days (and naturally I wanted nothing more than to go out and take photos on those days) and took it to work with him.

This is a view of all the rigging in the grid (above the stage) at Studio 54 in Manhattan.  I thought you all might get a kick out of it.

I am also super impressed with his composition.  He clearly put a lot of thought into this.  Notice how all the cables and lines (including the I-Beams on the side) lead to the off center spot.  Really draws in your eye right into where that light is shining. 

Also love the contrasting horizontal lines of the floor.  Just a superb photo.  All I did was a little post-processing to bump it up (a small crop and a contrast boost).

Hope you enjoy!

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Orange Chair in the Green Room (by RGP)

This photo was taken in the green room at work.  I spend all day sitting in that room, or in the trap room (the space just below the stage) waiting for something to break.  Nothing is going to break, we all know this.  But on the off chance...I must wait.

Then when they're done rehearsing, I spring into action!  I sweep! I vacuum! I lay carpet if needed!  I wander around the stage aimlessly for a bit just to kill time and be in a different room.

Then they return and I go back to my hole filled with orange chairs and way too many snacks which always spoil my dinner.  Fancy actors get snacks. It's an unwritten rule.  We have a few fancy actors in this one so we have an entire table filled with chips, cookies, rice cakes, candy and chocolate licorice.

Chocolate licorice?  GROSS!  Surely there wasn't a shortage on regular old licorice? 

Ever stick your nose in a bag of chocolate licorice?  It smells like chocolate plastic. 

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Break in the Storm (by RGP)

Remember how I said I was going back to work and the days would be long and I'd never see the sun again and drama, drama, drama?

Turns out, I don't have any cues.  This basically means there's really no reason for me to be at tech rehearsals and I am now a glorified janitor.  All I have to do is sweep, mop, vacuum and maintain the set, then I am free to leave. 

Funny how things work out, eh? 

P.S. How do you teach a tissue how to dance?   Put a little boogie in it!

That photo was taken from my office window during the INSANE storms we had the other day. 


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Threatening Storm (by RGP)

Okay, I've been hiding something from you, but please know, it's only because I've been avoiding the subject all together.

Last week, my boss called and told me they need me after all.  This is not uncommon in the theater business, just one of the many reasons why I am sooooo over it. Things change on a dime, one day you have a job, the next you don't (and then you do), schedules are day by day and catastrophes happen all the time.

Draaaaaaammmaaa!

Here's the thing, once a show is up and running, with the exception of giving up any thought of a night time social life, it's pretty easy.  You go in around 6:30 and come home whenever the show is over.  Especially nice when you're running a 90 minute show which means I basically have a 4 hour work day.  However, the getting there is hell.

Seriously, hell. That's what we call it.  Cause that's what it is.

A 13 hour day is a short day.  Also, it's a theater, there's no such thing as windows and sun so you can forget that.  Add a tablespoon of drama and voila, you've got a group of people cooped up in a stuffy, dusty building for 13 hours running the same thing over and over and over and over and over until you get it right, for a week, and you got yourself a tech rehearsal. 

But it doesn't stop there. Oh nooooo.  Just when you think you're in the clear and you have your first preview audience, the rehearsals continue...every day...for almost a month.  Hey, at least we're down to 10 hours. 

You see, what happens is I go in knowing I have plenty of time to sit around on the computer and do my writing, flickring, twittering, drawing, everything that makes me happy (heaven).  But after awhile, being stuck in that place really starts to get to you.  Routines change, mindset darkens, absolute boredom sets in and you are surrounded by the same people day in and day out.

The bright side, I'll have a paycheck to support my creative habits.  And by support my creative habits I mean relieve me of the "how will I pay the bills" stress. 

However, no paycheck has the power to quiet the fear I have.  The fear that I will slack off.  The fear that I will get tired and lose touch with all the progress I've made here. The fear that I will wake up every morning annoyed.  The fear that ideas will stop coming.  On the other hand, the fear has struck such a cord that I refuse to let it take over.

*cue uplifting broadway tune*

This is me declaring that I will not slack off!  I will continue to write, I will continue to take photographs, I will continue to not scan my drawings for the 365 project. I will come out of this job having only progressed further in my creative endeavors.  I will NOT GIVE UP! 

Okay, I gotta go wash the melodrama off.  Thank jebus it's not a musical this time.

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See For Yourself


Originally uploaded by RGP

Okay, so I haven't blogged all week. Let me explain myself.

So my "day job" as you may already know, is being a theater technician. This used to mean load ins (putting up the set for a show) or load outs (taking down a set) and the occasional show to run. In the last two years I have been lucky enough to work for a venue rather than as a freelancer. This means that they keep me around as their "Deck Carpenter" to run shows backstage. I am ever so grateful because one of the hardest parts to being a theater tech are those weeks or months of no work at all. Now I'm fairly confident that every few months I'll be on a new show.

There is a lot to getting a show viewable for an audience, and this is by far the hardest part of any technicians job. Of course, the very first step doesn't involve me (unless I'm a stage manager which I do as well at times) which is the rehearsal process. This usually means the cast, director and stage managers are in a rehearsal hall somewhere, learning the script, blocking and choreographing while the set is being loaded into the theater. The next step to any show's life is the hardest, whether it lasts a day or a week. It's called "tech". Often referred to as hell week.

When running a regular, equity show, we can have up to 5 "10 out of 12s). Well, the 10 really only applies to the actors because they are under a certain contract where their time is limited. However, the techies often come in hours in advance to take care of notes and cleaning before the tech rehearsal begins.

What is technical rehearsal? It's when all the actors, designers, directors, stage managers and technicians join together for the first time and start to add all the technical elements to the show. What are the technical elements? Lights, sound, props, set pieces, costumes and sometimes pyrotechnics, sfx and a band. We pick up from the top of the show and usually hold every new pose the actors make for what seems like ages while the designers get all the lights right, sounds right, etc.

As an example, this current show I'm working on, Act I took 4 days and Act II took 2. We had 5 days of 10 out of 12s which meant we left at 1130. Then after that, we worked mostly the same hours but had to be released at 10pm

So as you can see....long days. From May 1st to today, we worked every day (except Monday) all day. I left my apartment around 10 every morning and got home around 1230am. It is truly exhausting and all we can do is hope and pray that audiences actually appreciate and enjoy the show we put so much time, love and drama into. Yeah, drama, I won't even bother getting into that now.

Just don't forget that all of us are in pretty tight quarters and forced to be around each other all day, every day except when we're home sleeping. Naturally there will always be someone who doesn't get along with someone else, then add the exhaustion/stress factor.

So anyhow, this is why every now and then, for about a week or maybe more, I completely fall of the radar. I do bring my computer with me to work which does allow me to do things like flickr, blog, etc, however, we all often find ourselves either waiting for a cue all day which means you can't get distracted, or so tired that doing something like typing up a blog entry sounds like climbing Mt. Everest.

So please forgive me every few months when I have to disappear like this. Granted, not every show is as difficult as this one, but most techs are just a pain in the ass, no matter how simple the show.

We're done with tech rehearsals now and had our first audiences this weekend for previews. BUT... until we open the show in June, we still have rehearsal every single day. So I'll still be at work every day, however it should be far less hectic.

Whew.

Oh, and check out the photo above to learn more!


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